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Vashti Bunyan Lookaftering. Way Past Pleasant: A Guide to Psychedelic Folk From its beginnings in the late '60s to today, psychedelic folk has aimed to absorb, acknowledge, and update the past while meeting modern needs. Vashti Bunyan. It Still Moves. It Still Moves For her book, It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music , longtime Pitchfork staffer Amanda Petrusich hoped to nudge our collective notions of "Americana" by looking at the ways in which Americana music-- rural, indigent, acoustic music-- has evolved and endured, and how those changes may or may not reflect a new American landscape.

Devendra Banhart. Top 50 Albums of Vashti Bunyan With this week's release of Vashti Bunyan's exquisite new album Lookaftering , one of modern music's most unlikely In the Garden With Popol Vuh. In the Garden With Popol Vuh For about a year I worked in social services as an instructor for developmentally disabled adults.

Vashti Bunyan: Songs on Repeat. Here Before Wayward Hidden Against The Sky Turning Backs If I Were Same But Different Brother Feet Of Clay Like those old folk and bluesmen, Bunyan returns to a musical landscape that's been unrecognizably altered. But unlike the later recordings of those performers-- which consisted primarily of reworking their older material-- Lookaftering represents the full-fledged reawakening of a still-vital talent, ready to cast aside her decades-long artistic hibernation and re-ignite her creative fires.

At that time, after the small initial pressing of Diamond Day failed to find an audience, a disheartened Bunyan left the city and music behind, packing her wagon to quietly raise children and animals in the Scottish Borders and rural Ireland. In the meantime, however, her album slowly built a reputation as a lost classic. So when Diamond Day was reissued in Britain to great acclaim in , Bunyan commenced her gradual return to the spotlight.

Since then she's made cameo appearances on albums by such fans as Devendra Banhart and Piano Magic, and earlier this year partnered with Animal Collective on the charming Prospect Hummer EP. On Lookaftering, it comes as a relief to hear not only how pristine Bunyan's delicate vocals remain but that she has retained her understated abilities as a songwriter, despite going decades without picking up a guitar. Taking its title from a self-invented word that refers to taking care of something or someone-- as well as to the process of looking back on the past-- Lookaftering deftly covers both these themes in ample measure.

In many regards, this collection seems a wistful, measured reflection upon the long-ago daydreams of Diamond Day and the sweet sadness of all that goes by, while managing to retain the same tranquil, out-of-time intimacy that has allowed her debut to age so gracefully. She moved into the orbit of Oldham's Immediate Records after its founding that year and recorded a brace of sides, mostly of her own music, none of which was issued commercially.

This was during what one might call the "dolly bird" phase of Bunyan's career, in which she was part of the Swinging London scene at least musically , and one supremely atmospheric and hauntingly beautiful performance of hers that did see the light of day was "Winter Is Blue," which turned up in Peter Whitehead's documentary Tonite Let's All Make Love in London Sometime after that, she left London in a horse-drawn wagon on a two-year journey into communal living in the Hebrides, with the ultimate goal of meeting folk icon Donovan on the Isle of Skye.

She later chanced to cross paths with American producer Joe Boyd, who had made his name in London recording acts such as Pink Floyd and Fairport Convention.

After completing the album she left for Ireland, dropping out of music to raise a family. Long out of print and a highly prized collectible, Just Another Diamond Day was finally reissued on CD in the summer of and attracted an extraordinary amount of enthusiastic press, as well as something like the sales to match.

Suddenly, Bunyan was in demand, fans and writers knocking at her door and sending e-mails of encouragement and support. In she returned with Lookaftering, a reference to her years "lookaftering" her family.

The release was followed by a series of performances that took her all the way to New York City, among other international locales — by that time, word had spread sufficiently about Bunyan as a rediscovered talent that the New York performance rated mention in The New York Times.